French Cinema
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About: Films can only be made by by-passing the will of those who appear in them, using not what they do, but what they are. -- Robert Bresson

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lepoinconneurdeslilas:

Histoire De Marie Et Julien (Jacques Rivette, 2003)

lepoinconneurdeslilas:

Histoire De Marie Et Julien (Jacques Rivette, 2003)

Histoire de Marie et Julien film stills Jacques Rivette

(via vianegativa-deactivated20111010)

Belle Epine film stills

(via vianegativa-deactivated20111010)

La double vie de Véronique film stills
thatwhiterhost:

Deep down, l felt a sort of rancor, a rage brimming. l was jealous. 
Beau Travail (1999, Claire Denis)

thatwhiterhost:

Deep down, l felt a sort of rancor, a rage brimming. l was jealous. 

Beau Travail (1999, Claire Denis)

Beau Travail Claire Denis film stills

My diving bell becomes less oppressive, and my mind takes flight like a butterfly. There is so much to do. You can wander off in space or in time, set out for Tierra del Fuego or for King Midas’s court. You can visit the woman you love, slide down beside her and stroke her still-sleeping face. You can build castles in Spain, steal the Golden Fleece, discover Atlantis, realise your childhood dreams and adult ambitions.

My diving bell becomes less oppressive, and my mind takes flight like a butterfly. There is so much to do. You can wander off in space or in time, set out for Tierra del Fuego or for King Midas’s court. You can visit the woman you love, slide down beside her and stroke her still-sleeping face. You can build castles in Spain, steal the Golden Fleece, discover Atlantis, realise your childhood dreams and adult ambitions.

(via wickedchild)

Le scaphandre et le papillon film stills
duemilaquarantasei:


Do you think it’s that simple to get rid of a wound? To close the mouth of a wound?

#110 - Le sang d’un poète (The Blood of a Poet - Jean Cocteau, 1930)

duemilaquarantasei:

Do you think it’s that simple to get rid of a wound? To close the mouth of a wound?

#110 - Le sang d’un poète (The Blood of a Poet - Jean Cocteau, 1930)

(via e0d-deactivated20111231)

Le sang d’un poète film stills jean cocteau

(via junie87)

Les amants film stills jeanne moreau Jean-Marc Bory
I thought, she’s even lonelier than me. She loves as though she is seeking revenge.

I thought, she’s even lonelier than me. She loves as though she is seeking revenge.

(via arbitrarily)

la reine margot film stills Isabelle Adjani Vincent Perez
nazi-julieandrews:

Top 50 Movies

Jean de Florette (1986), directed by Claude Berri

nazi-julieandrews:

Top 50 Movies

Jean de Florette (1986), directed by Claude Berri

(via lordofwinterfells)

Jean de Florette claude berri film stills
starcrossed:

L’Ami de Mon Amie - Éric Rohmer (1987).

starcrossed:

L’Ami de Mon Amie - Éric Rohmer (1987).

(Source: besieging)

L’Ami de Mon Amie film stills
mmorrow:

Arsène Lupin (2004)

mmorrow:

Arsène Lupin (2004)

Arsène Lupin film stills Eva Green Romain Duris
Les bien-aimés (Christophe Honoré, 2011)

Les bien-aimés (Christophe Honoré, 2011)

Les bien-aimés film stills cannes
My Little Princess (Eva Ionesco, 2011)

My Little Princess (Eva Ionesco, 2011)

(via vianegativa-deactivated20111010)

Anamaria Vartolomei Isabelle Huppert film stills my little princess cannes
La source des femmes (Radu Mihaileanu, 2011)

La source des femmes (Radu Mihaileanu, 2011)

La source des femmes film stills cannes
The Look (Angelina Maccarone, 2011)

Breaker of taboos, icon, superstar and avant-gardist – to capture the person, the phenomenon Charlotte Rampling is a cinematic adventure that can only succeed by being as brave in doing so as she has been throughout her career. Staged in countless films and photographs as the classic “object of desire”, The Look takes on her perspective, we see the world through her eyes. Far beyond anecdotic trivia or linear biography Rampling fearlessly fathoms the major questions of life with companions such as Peter Lindbergh and Paul Auster.

The Look (Angelina Maccarone, 2011)

Breaker of taboos, icon, superstar and avant-gardist – to capture the person, the phenomenon Charlotte Rampling is a cinematic adventure that can only succeed by being as brave in doing so as she has been throughout her career. Staged in countless films and photographs as the classic “object of desire”, The Look takes on her perspective, we see the world through her eyes. Far beyond anecdotic trivia or linear biography Rampling fearlessly fathoms the major questions of life with companions such as Peter Lindbergh and Paul Auster.

The Look film stills Charlotte Rampling cannes